These are the forgeries of jealousy:
And never, since the middle summer's spring,
Met we on hill, in dale, forest or mead,
By paved fountain or by rushy brook,
Or in the beached margent of the sea,
To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb'd our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck'd up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch'd his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain'd a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men's morris is fill'd up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter here;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.
Midsummer Night's Dream, Act 2, Scene 1
Possible Shakespearean theater found in London
By JENNIFER QUINN, Associated Press
LONDON - The theater where "The Merchant of Venice" and "Romeo and Juliet" likely debuted and where William Shakespeare himself may have trodden the boards has likely been discovered in east London, archaeologists at the Museum of London said Wednesday.
The possible foundations of what is known as simply, The Theatre, were unearthed by builders excavating the site — a vacant garage — for another structure. Museum archaeologists were called to the location to make sure nothing was destroyed, and had a eureka moment.
"We were there, scratching our heads, looking into the trenches, thinking, 'this could be it,'" said Jo Lyon, a senior archaeologist at the museum. "So we did some more research, and then we found the angled walls. And we all went, 'Oh my gosh, this should be it.' "
Other theaters of similar vintage also have angled walls, so the discovery was significant. Archaeologists had known for a long time there was a high probability for The Theatre to be on this particular site. But there are no maps that show its location, no images to show what it might have looked like, and only a vague description of it.
"It's in the right place, it's at the right angle to be a polygonal shape," Lyon said. "It's a pretty high possibility."
The possible discovery of The Theatre, built in 1576 and where Shakespeare's troupe performed in the 1590s, could complete the set of open-air theaters where the Bard's plays were staged. The Rose theater's location was discovered in 1989 in Bankside, just south of the River Thames in central London, and the Globe theater is nearby. A replica of the Globe was built on a site close to the original and opened in 1997.
Shakespeare's company, the Lord Chamberlain's Men, only moved into The Theatre in the 1590s. Until then, they had been performing at the Rose, but a shake up in the London theater scene necessitated the move, said Martin Wiggins, a fellow at the Shakespeare Institute at the University of Birmingham.
And in 1597, a dispute with the landlord forced the company to move again, Wiggins said. The company didn't own the ground The Theatre was built on, but Lord Chamberlain's Men did own the material it was built with, so they simply dismantled the entire theater and moved it south across the River Thames, where it was rebuilt and renamed the Globe.
But The Theatre's foundations remained in east London, and that's what archaeologists believe they have found.
"The first thing I want to know about it is what the foundations can tell us about the architecture," Wiggins said. "How big was it? How does it compare with the Rose? How does it compare with the Globe? How similar are they?"
Wiggins said an understanding of what the theater looked like could help Shakespearean scholars understand more about this period in the playwright's history.
"The size of the theater will have an impact on the way the play is written," he said.
Other works that would have been performed during the period Shakespeare's company was at The Theatre would have included "Henry IV," "Richard II," "King John," and "the Merry Wives of Windsor," Wiggins said.
Lyon said it's unlikely The Theatre's complete foundations will ever be fully excavated, but her team intends to examine them further. Fittingly, a new theater is being built on the site, ensuring the foundations below are protected.
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